"Out of order, I show you out of order. You don't know what out of order is, Mr. Trask. I'd show you, but I'm too old, I'm too tired, I'm too fuckin' blind. If I were the man I was five years ago, I'd take a FLAMETHROWER to this place! Out of order? Who the hell do you think you're talkin' to? I've been around, you know? There was a time I could see. And I have seen. Boys like these, younger than these, their arms torn out, their legs ripped off. But there isn't nothin' like the sight of an amputated spirit. There is no prosthetic for that. You think you're merely sending this splendid foot soldier back home to Oregon with his tail between his legs, but I say you are... executin' his soul! And why? Because he's not a Bairdman. Bairdmen. You hurt this boy, you're gonna be Baird bums, the lot of ya. And Harry, Jimmy, Trent, wherever you are out there, FUCK YOU TOO!"
Scent of a Woman
Scent of a Woman
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Re: Great Monologues
Tue, September 20, 2005 - 5:06 PMfrom Jurassic Park
Dr. Ian Malcolm:
"I'll tell you the problem with the scientific power that you're using here: it didn't require any discipline to attain it. You read what others had done and you took the next step. You didn't earn the knowledge for yourselves, so you don't take any responsibility for it. You stood on the shoulders of geniuses to accomplish something as fast as you could and before you even knew what you had you patented it and packaged it and slapped it on a plastic lunchbox, and now you're selling it, you want to sell it!" -
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Re: Great Monologues
Tue, September 20, 2005 - 5:24 PMfrom A few Good Men
Col. Jessep:
" Son, we live in a world that has walls, and those walls have to be guarded by men with guns. Whose gonna do it? You? You, Lt. Weinburg? I have a greater responsibility than you could possibly fathom. You weep for Santiago, and you curse the marines. You have that luxury. You have the luxury of not knowing what I know. That Santiago's death, while tragic, probably saved lives. And that my existence, while grotesque and incomprehensible to you, saves lives. You don't want the truth because deep down in places you don't talk about at parties, you want me on that wall, you need me on that wall. We use words like honor, code, loyalty. We use these words as the backbone of a life spent defending something. You use them as a punchline. I have neither the time nor the inclination to explain myself to a man who rises and sleeps under the blanket of the very freedom that I provide, then questions the manner in which I provide it. I would rather you just said thank you, and went on your way, Otherwise, I suggest you pick up a weapon, and stand a post. Either way, I don't give a damn what you think you are entitled to. " -
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Re: Great Monologues
Wed, September 21, 2005 - 4:31 PMWe're standing here in Philadelphia, the, uh, city of brotherly love, the birthplace of freedom, where the, uh, founding fathers authored the Declaration of Independence, and I don't recall that glorious document saying anything about all straight men are created equal. I believe it says all men are created equal.
Joe Miller (Danzel) in Philadelphia
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Re: Great Monologues
Thu, September 22, 2005 - 10:01 AMyou forgot to add the part about being so bent on whether or not you could, you forgot about whether or not you should. I like that little addition...
but really GOOD quote. I love it. in fact. it's one of my favorites. -
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Re: Great Monologues
Thu, September 22, 2005 - 6:50 PMSo if I asked you about art, you'd probably give me the skinny on every art book ever written. Michelangelo, you know a lot about him. Life's work, political aspirations, him and the pope, sexual orientations, the whole works, right? But I'll bet you can't tell me what it smells like in the Sistine Chapel. You've never actually stood there and looked up at that beautiful ceiling; seen that. If I ask you about women, you'd probably give me a syllabus about your personal favorites. You may have even been laid a few times. But you can't tell me what it feels like to wake up next to a woman and feel truly happy. You're a tough kid. And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. And look at you... I don't see an intelligent, confident man... I see a cocky, scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my fucking life apart. You're an orphan right? You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some fuckin' book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief.
Sean (Robin Williams) from Good Will Hunting -
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Re: Great Monologues
Thu, September 22, 2005 - 7:49 PM(minus some back and forth dialogue)
"Let me tell you what Like a Virgin's about. It's all about a girl who digs a guy with a big dick. The entire song . . . it's a metaphor for big dicks. Like a Virgin's not about some sensitive girl who meets a nice fella. That's what True Blue's about. Granted, no argument about that. Ok. Let me tell you what Like a Virgin's about. It's all about this cooz who's a regular fuck machine. I'm talking morning, day, night, afternoon . . . dick, dick, dick, dick, dick, dick, dick, dick, dick. Then one day she meets this John Holmes motherfucker, and it's like, whoa baby. This cat is like Charles Bronson in the great escape. He's digging tunnels. She's getting this serious dick action and feeling something she ain't felt since forever . . . pain. Pain.
It hurts. It hurts her. It shouldn't hurt her. Her pussy should be bubbleyum by now, but when this cat fucks her, it hurts. It hurts just like it did the first time. You see, the pain is reminding a fuck machine what it was like to be a virgin. Hence . . . Like a Virgin."
~ Mr. Brown/Quentin Tarantino - Reservoir Dogs -
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Re: Great Monologues
Thu, September 22, 2005 - 11:14 PMSo what really happened that day? Let's just for a moment speculate shall we? We have the epileptic seizure around 12:15, p.m. distracting the police making it easier for the shooters to move into their places. The epileptic later vanished, never checking into a hospital. The A-Team gets on the sixth floor of the depository. They were refurbishing the floors that week, which allowed unknown workmen access to the building. They move quickly into position just minutes before the shooting. The spotter on the radio talking to the other two teams has the best overall view, the God spot. B-Team one shooter and one spotter with radio gear and access to the building, moves into the lower floor of the Dal-Tex building. The third team, the C-Team moves into the picket fence behind the Grassy Knoll, where the shooter and the spotter are first spotted by the late Lee Bowers in the watch tower of the rail yard. They have the best position of all. Kennedy is close and on a flat low trajectory. Part of this team is a coordinator who has flashed security credentials at people chasing them out of the parking lot. Probably 2-3 more men are in the crowd on Elm. 10-12 men. Three shooters. Three spotters. The triangulation of fire that Clay Shaw and David Ferrie discussed two months before. They have walked the plaza. They know every inch. They have calibrated their sight. They have practiced on moving targets. They are ready. Kennedy's motorcade makes the turn from Main onto Houston. It's gonna be a turkey shoot. They don't shoot him coming up Houston, which is the easiest shot for a single shot from the Book Depository. They Wait. They wait until he gets in the killing zone, between three rifles. Kennedy makes the final turn from Houston onto Elm, slowing down to some 11 miles an hour. The shooters across Dealy Plaza tighten, taking their aim, waiting for the radio to say "Green! Green!" or "Abort! Abort!". The first shot rings out, sounding like a backfire it misses the car completely. Frame 161, Kennedy stops waiving as he hears something. Connaly's head turns slightly to the right. Frame 193, the second shot hits Kennedy in the throat from the front. Frame 225, the President emerging from behind the road sign, you can see that he's obviously been hit, raising his arms to his throat. The third shot, frame 232, takes Kennedy in the back pulling him downward and forward. Connaly you'll notice shows no signs at all of being hit. He is visibly holding his Stetson, which is impossiable if his wrist has been shattered. Connaly is turning here now, frame 238 the fourth shot. It misses Kennedy and takes Connaly in the back. This is the shot that proves there were two rifles. Connaly yells out "My God! They are going to kill us all." Somewhere around this time another shot that misses the car completely, strikes James Tague down by the underpass. The car brakes. The sixth and fatal shot, frame 313 takes Kennedy in the head from the front. This is the key shot. The President going back and to his left. Shot from the front and right. Totally inconstant with the shot from the Book Depository. So what happens then? Pandemonium.
Jim Garrison: JFK
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Re: Great Monologues
Thu, September 22, 2005 - 11:19 PM<you forgot to add the part about being so bent on whether or not you could, you forgot about whether or not you should. I like that little addition...>
I like that part too . . . but it was not part of the monologue proper
I was trying to keep it within one camera shot -
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Re: Great Monologues
Thu, September 22, 2005 - 11:29 PM"First of all, Papa Smurf didn't create Smurfette. Gargamel did. She was sent in as Gargamel's evil spy with the intention of destroying the Smurf village, but the overwhelming goodness of the Smurf way of life transformed her. And as for the whole gang-bang scenario, it just couldn't happen. Smurfs are asexual. They don't even have reproductive organs under those little white pants. That's what's so illogical, you know, about being a Smurf. What's the point of living if you don't have a dick?"
-Donnie Darko -
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Re: Great Monologues
Tue, September 27, 2005 - 1:58 PM"I sang the first hymn when the stars were born, it wasn't too long ago that I told a certain young woman...Mary...who it was she was expecting....On the other hand, though, I've turned Kings into cripples, cities into salt and rivers into blood - so i really don't think I need to explain myself to you"
Christopher Walken as Gabriel "Prophecy 2" -
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Re: Great Monologues
Tue, September 27, 2005 - 2:20 PM"Hey there, little man... Boy, I've sure heard a bunch about you. See, I was a good friend of your dad's. We were in that Hanoi pit of hell together for five years.
Hopefully, you'll never have to experience this yourself. But when two men are in a situation like me and your dad were for as long as we were, you take on certain responsibilities of the other. If it had been me who had . . . oh man, Major Coolidge would be talking right now to my son, Jim. The way it turned out, I'm talking to you.
"Butch, I've got something for you. This watch I've got here, was first purchased by your great-grandfather during the first World War. It was bought in a little general store in Knoxville, Tennessee, made by the first company to ever make wristwatches. Up 'til then, people just carried pocket watches.
It was bought by Private doughboy Ryan Coolidge on the day
he set sail for Paris. This was your great-grandfathers's war watch, and he wore it every day he was in that war. When he'd done his duty, he went home to your great-grandmother, took the watch off, put it in an old coffee can, and in that can it stayed ... until your grandad, Dane Coolidge, was called upon by his country to go overseas and fight... The Germans once again ...and this time they called it World War II.
Your great-grandfather gave this watch to your granddad for good luck.
Unfortunately, Dane's luck wasn't as good as his old man's. Dane was a Marine and he was killed, along with all the other Marines, in the Battle of Wake Island. Your granddad was facing death; he knew it. None of those boys had any illusions about leaving that island alive.
"So, three days before the Japanese took the island, your granddad asked a gunner from the airport transfer, named Wynocki, a man he'd never met before in his life, to deliver to his infant son, who he'd never seen in the flesh, this gold watch. Three days later, your granddad was dead, but Wynocki kept his word.
After the war was over, he paid a visit to your grandmother, delivering to your infant father this gold watch.
"This watch . . . this watch was on your daddy's wrist when he was shot down over Hanoi. [He] was captured and put in a Vietnamese prison camp. He knew that if the gooks ever saw the watch, they would confiscate it. You see, in a way...
the way your dad looked at it, this watch was your birthright. He'd be damned if any slopes were gonna put their greasy little yellow hands on his boy's birthright.
"So he hid it, in the only place he could hide something... in his ass.
Five long years he wore this watch up his ass. Before he died, of Dysentery, he gave me the watch.
I hid this uncomfortable hunk of metal up my ass two years. After seven years, I was sent home to my family.
"And now, little man, I give the watch to you."
Walken again... Pulp Fiction -
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Re: Great Monologues
Wed, September 28, 2005 - 8:01 PM"I'm an angel. I kill firstborns while their mamas watch. I turn cities into salt. I even, when I feel like it, rip the souls from little girls...and from now till kingdom come, the only thing you can count on in your existence is never understanding why."
Walken again, in Prophecy -
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Re: Great Monologues
Thu, September 29, 2005 - 10:49 AM"You know what you look like to me, with your good bag and your cheap shoes? You look like a rube. A well scrubbed, hustling rube with a little taste. Good nutrition has given you some length of bone, but you're not more than one generation from poor white trash, are you, Agent Starling? And that accent you've tried so desperately to shed? Pure West Virginia. What's your father, dear? Is he a coal miner? Does he stink of the lamb? You know how quickly the boys found you... all those tedious sticky fumblings in the back seats of cars... while you could only dream of getting out... getting anywhere... getting all the way to the FBI."
I think we all know who said this . . . -
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This is the maximum depth. Additional responses will not be threaded.
Re: Great Monologues
Thu, September 29, 2005 - 12:54 PMNice work guys and gals
these are some fat mono LOGS
keep em coming
so far I have loved all these as well
if it pops in your head find it and post it
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Re: Great Monologues
Thu, September 29, 2005 - 2:34 PM"You wanna know what your problem is? MTV, Playboys, and Madison-fucking-Avenue. Yeah. Let me explain something to you. OK, look, girls with big tits have big asses, girls with little tits have little asses. That's the way it goes. God doesn't fuck around, he's a fair guy. He gave the fatties big, beautiful tits, and the skinnies little, tiny niddlers. If you don't like it, call him...No matter how perfect the nipple, how supple the thigh, unless there's some other shit going on in the relationship besides physical, it's going to get old, okay? And you guys, as a gender, have got to get a grip, otherwise the future of the human race is in jeopardy. "
Beautiful Girls
Gina Barrisano's (Rosie O'Donnell)
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Re: Great Monologues
Thu, September 29, 2005 - 2:37 PMDamn, I love this one!
"Let me give you a little inside information about God. God likes to watch. He's a prankster. Think about it. He gives man instincts. He gives you this extraordinary gift, and then what does He do, I swear for His own amusement, his own private, cosmic gag reel, He sets the rules in opposition. It's the goof of all time. Look but don't touch. Touch, but don't taste. Taste, don't swallow. Ahaha. And while you're jumpin' from one foot to the next, what is he doing? He's laughin' His sick, fuckin' ass off. He's a tight-ass. He's a sadist. He's an absentee landlord. Worship that? Never."
The Devil's Advocate
Satanic John Milton (Al Pacino)
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Re: Great Monologues
Thu, September 29, 2005 - 2:43 PMAnd my favorite for today:
"I ain't draft dodging. I ain't burning no flag. I ain't running to Canada. I'm staying right here. You want to send me to jail? Fine, you go right ahead. I've been in jail for 400 years. I could be there for 4 or 5 more, but I ain't going no 10,000 miles to help murder and kill other poor people. If I want to die, I'll die right here, right now, fightin' you, if I want to die. You my enemy, not no Chinese, no Vietcong, no Japanese. You my opposer when I want freedom. You my opposer when I want justice. You my opposer when I want equality. Want me to go somewhere and fight for you? You won't even stand up for me right here in America, for my rights and my religious beliefs. You won't even stand up for my right here at home."
Ali
Cassius Clay/Muhammed Ali (Will Smith) -
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Re: Great Monologues
Thu, September 29, 2005 - 5:37 PM[last lines]
Chris Taylor: [voiceover] I think now, looking back, we did not fight the enemy; we fought ourselves. The enemy was in us. The war is over for me now, but it will always be there, the rest of my days. As I'm sure Elias will be, fighting with Barnes for what Rhah called "possession of my soul." There are times since, I've felt like a child, born of those two fathers. But be that as it may, those of us who did make it have an obligation to build again. To teach to others what we know, and to try with what's left of our lives to find a goodness and a meaning to this life.
-Platoon -
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Re: Great Monologues
Thu, September 29, 2005 - 5:39 PMAgent Smith: I'd like to share a revelation that I've had during my time here. It came to me when I tried to classify your species. I realized that you're not actually mammals. Every mammal on this planet instinctively develops a natural equilibrium with the surrounding environment, but you humans do not. You move to an area, and you multiply, and multiply, until every natural resource is consumed. The only way you can survive is to spread to another area. There is another organism on this planet that follows the same pattern. A virus. Human beings are a disease, a cancer of this planet, you are a plague, and we are the cure.
-The Matrix -
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Re: Great Monologues
Thu, September 29, 2005 - 5:47 PMQuint: Y'all know me. Know how I earn a livin'. I'll catch this bird for you, but it ain't gonna be easy. Bad fish. Not like going down to the pond and chasing bluegills and tommycocks. This shark, swallow you whole. No shakin', no tenderizin', down you go. And we gotta do it quick, that'll bring back your tourists, put all your businesses on a payin' basis. But it's not gonna be pleasant. I value my neck a lot more than three thousand bucks, chief. I'll find him for three, but I'll catch him, and kill him, for ten. But you've gotta make up your minds. If you want to stay alive, then ante up. If you want to play it cheap, be on welfare the whole winter. I don't want no volunteers, I don't want no mates, there's too many captains on this island. Ten thousand dollars for me by myself. For that you get the head, the tail, the whole damn thing.
-Jaws
and one my fav I get chill just reading over it:
Quint: Japanese submarine slammed two torpedoes into her side, Chief. We was comin' back from the island of Tinian to Leyte. We'd just delivered the bomb. The Hiroshima bomb. Eleven hundred men went into the water. Vessel went down in 12 minutes. Didn't see the first shark for about a half-hour. Tiger. 13-footer. You know how you know that in the water, Chief? You can tell by lookin' from the dorsal to the tail. What we didn't know, was that our bomb mission was so secret, no distress signal had been sent. They didn't even list us overdue for a week. Very first light, Chief, sharks come cruisin' by, so we formed ourselves into tight groups. It was sorta like you see in the calendars, you know the infantry squares in the old calendars like the Battle of Waterloo and the idea was the shark come to the nearest man, that man he starts poundin' and hollerin' and sometimes that shark he go away... but sometimes he wouldn't go away. Sometimes that shark looks right at ya. Right into your eyes. And the thing about a shark is he's got lifeless eyes. Black eyes. Like a doll's eyes. When he comes at ya, he doesn't even seem to be livin'... 'til he bites ya, and those black eyes roll over white and then... ah then you hear that terrible high-pitched screamin'. The ocean turns red, and despite all your poundin' and your hollerin' those sharks come in and... they rip you to pieces. You know by the end of that first dawn, lost a hundred men. I don't know how many sharks there were, maybe a thousand. I do know how many men, they averaged six an hour. Thursday mornin', Chief, I bumped into a friend of mine, Herbie Robinson from Cleveland. Baseball player. Boson's mate. I thought he was asleep. I reached over to wake him up. He bobbed up, down in the water, he was like a kinda top. Upended. Well, he'd been bitten in half below the waist. At noon on the fifth day, a Lockheed Ventura swung in low and he spotted us, a young pilot, lot younger than Mr. Hooper here, anyway he spotted us and a few hours later a big ol' fat PBY come down and started to pick us up. You know that was the time I was most frightened. Waitin' for my turn. I'll never put on a lifejacket again. So, eleven hundred men went into the water. 316 men come out, the sharks took the rest, June the 29th, 1945. Anyway, we delivered the bomb.
the monologe is the sign of the time in one fail swoop
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Re: Great Monologues
Thu, September 29, 2005 - 8:32 PMTrue Romance,
Dennis Hopper TO Walken:
Ya know, I read a lot. Especially about things... about history. I find that shit fascinating. Here's a fact I don't know whether you know or not. Sicilians were spawned by niggers.
It's a fact. Yeah. You see, uh, Sicilians have, uh, black blood pumpin' through their hearts. Hey, no, if eh, if eh, if you don't believe me, uh, you can look it up. Hundreds and hundreds of years ago, uh, you see, uh, the Moors conquered Sicily. And the Moors are niggers. So you see, way back then, uh, Sicilians were like, uh, wops from Northern Italy. Ah, they all had blonde hair and blue eyes, but, uh, well, then the Moors moved in there, and uh, well, they changed the whole country. They did so much fuckin' with Sicilian women, huh? That they changed the whole bloodline forever. That's why blonde hair and blue eyes became black hair and dark skin. You know, it's absolutely amazing to me to think that to this day, hundreds of years later, that, uh, that Sicilians still carry that nigger gene. Now this...
No, I'm, no, I'm quoting... history. It's written. It's a fact, it's written.
Your ancestors are niggers. Uh-huh.
Hey. Yeah. And, and your great-great-great-great grandmother fucked a nigger, ho, ho, yeah, and she had a half-nigger kid... now, if that's a fact, tell me, am I lying? 'Cause you, you're part eggplant. -
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Re: Great Monologues
Thu, September 29, 2005 - 8:51 PMThe context of that quote is important too. Dennis Hooper is bound by Sicilian hoods and he knows he is dead. Walken has been questioning him and has told him he can tell if someone is lying just by looking at them. Those are Hopper's last words. -
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Re: Great Monologues
Thu, September 29, 2005 - 9:57 PM"There shall in that time be rumors of things going astray, erm, and there shall be a great confusion as to where things really are, and nobody will really know where lieth those little things wi-with the sort of raffia-work base, that has an attachment. At that time, a friend shall lose his friend's hammer, and the young shall not know where lieth the things possessed by their fathers that their fathers put there only just the night before, about eight o'clock."
- Life of Brian -
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This is the maximum depth. Additional responses will not be threaded.
Re: Great Monologues
Thu, September 29, 2005 - 10:04 PM"There was me, that is Alex, and my three droogs, that is Pete, Georgie and Dim and we sat in the Korova milkbar trying to make up our rassoodocks what to do with the evening. The Korova Milk Bar sold milkplus--milk plus vellocet or synthemesc or drencrom which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence. Our pockets were full of money so there was no need on that score, but, as they say, money isn't everything."
-A Clockwork Orange -
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Re: Great Monologues
Fri, September 30, 2005 - 12:25 AMJapanese submarine slammed two torpedoes into her side, Chief. We was comin' back from the island of Tinian to Leyte. We'd just delivered the bomb. The Hiroshima bomb. Eleven hundred men went into the water. Vessel went down in 12 minutes. Didn't see the first shark for about a half-hour. Tiger. 13-footer. You know how you know that in the water, Chief? You can tell by lookin' from the dorsal to the tail. What we didn't know, was that our bomb mission was so secret, no distress signal had been sent. They didn't even list us overdue for a week. Very first light, Chief, sharks come cruisin' by, so we formed ourselves into tight groups. It was sorta like you see in the calendars, you know the infantry squares in the old calendars like the Battle of Waterloo and the idea was the shark come to the nearest man, that man he starts poundin' and hollerin' and sometimes that shark he go away... but sometimes he wouldn't go away. Sometimes that shark looks right at ya. Right into your eyes. And the thing about a shark is he's got lifeless eyes. Black eyes. Like a doll's eyes. When he comes at ya, he doesn't even seem to be livin'... 'til he bites ya, and those black eyes roll over white and then... ah then you hear that terrible high-pitched screamin'. The ocean turns red, and despite all your poundin' and your hollerin' those sharks come in and... they rip you to pieces. You know by the end of that first dawn, lost a hundred men. I don't know how many sharks there were, maybe a thousand. I do know how many men, they averaged six an hour. Thursday mornin', Chief, I bumped into a friend of mine, Herbie Robinson from Cleveland. Baseball player. Boson's mate. I thought he was asleep. I reached over to wake him up. He bobbed up, down in the water, he was like a kinda top. Upended. Well, he'd been bitten in half below the waist. At noon on the fifth day, a Lockheed Ventura swung in low and he spotted us, a young pilot, lot younger than Mr. Hooper here, anyway he spotted us and a few hours later a big ol' fat PBY come down and started to pick us up. You know that was the time I was most frightened. Waitin' for my turn. I'll never put on a lifejacket again. So, eleven hundred men went into the water. 316 men come out, the sharks took the rest, June the 29th, 1945. Anyway, we delivered the bomb.
- Jaws -
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Re: Great Monologues
Fri, September 30, 2005 - 11:38 AMI ain't like that no more. I ain't the same, Ned. Claudia, she straightened me up, cleared me of drinkin' whiskey and all. Just 'cause we're goin' on this killing, that don't mean I'm gonna go back to bein' the way I was. I just need the money, get a new start for them youngsters. Ned, you remember that drover I shot through the mouth and his teeth came out the back of his head? I think about him now and again. He didn't do anything to deserve to get shot, at least nothin' I could remember when I sobered up. Yeah, no one liked me. Mountain boys all thought I was gonna shoot 'em out of pure meanness.
~Bill Muney, Unforgiven -
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Re: Great Monologues
Fri, September 30, 2005 - 12:47 PM"Of course that's your contention. You're a first year grad student. You just got finished readin' some Marxian historian -- Pete Garrison probably. You're gonna be convinced of that 'til next month when you get to James Lemon, and then you're gonna be talkin' about how the economies of Virginia and Pennsylvania were entrepreneurial and capitalist way back in 1740. That's gonna last until next year -- you're gonna be in here regurgitating Gordon Wood, talkin' about, you know, the Pre-revolutionary utopia and the capital-forming effects of military mobilization... Wood drastically -- Wood drastically underestimates the impact of social distinctions predicated upon wealth, especially inherited wealth.' You got that from Vickers, 'Work in Essex County,' page 98, right? Yeah, I read that too. Were you gonna plagiarize the whole thing for us? Do you have any thoughts of your own on this matter? Or do you...is that your thing? You come into a bar. You read some obscure passage and then pretend...you pawn it off as your own idea just to impress some girls and embarrass my friend? See, the sad thing about a guy like you is in 50 years you're gonna start doin' some thinkin' on your own and you're gonna come up with the fact that there are two certainties in life. One: don't do that. And two: You dropped a hundred and fifty grand on a fucking education you coulda' got for a dollar fifty in late charges at the public library."
Good Will Hunting
Will Hunting (Matt Damon) -
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Re: Great Monologues
Fri, September 30, 2005 - 6:14 PMNice Dancing, I forgot that one! Fuck, I love that movie! -
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Re: Great Monologues
Fri, September 30, 2005 - 10:10 PMDamn, Jean, I didn't even see that you posted the Jaws monologue until just now. Sorry about that. Great minds huh? -
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Re: Great Monologues
Sat, October 1, 2005 - 2:50 PMSleep with Me (1994)
Sid: You want subversion on a massive level. You know what one of the greatest fucking scripts ever written in the history of Hollywood is? Top Gun. Top Gun is fucking great. What is Top Gun? You think it's a story about a bunch of fighter pilots.
It is a story about a man's struggle with his own homosexuality. It is! That is what Top Gun is about, man. You've got Maverick, all right? He's on the edge, man. He's right on the fucking line, all right? And you've got Iceman, and all his crew. They're gay, they represent the gay man, all right? And they're saying, go, go the gay way, go the gay way. He could go both ways. Kelly McGillis, she's heterosexuality. She's saying: no, no, no, no, no, no, go the normal way, play by the rules, go the normal way. They're saying no, go the gay way, be the gay way, go for the gay way, all right? That is what's going on throughout that whole movie... He goes to her house, all right? It looks like they're going to have sex, you know, they're just kind of sitting back, he's takin' a shower and everything. They don't have sex. He gets on the motorcycle, drives away. She's like, "What the fuck, what the fuck is going on here?" Next scene, next scene you see her, she's in the elevator, she is dressed like a guy. She's got the cap on, she's got the aviator glasses, she's wearing the same jacket that the Iceman wears. She is, okay, this is how I gotta get this guy, this guy's going towards the gay way, I gotta bring him back, I gotta bring him back from the gay way, so I'll do that through subterfuge, I'm gonna dress like a man. All right? That is how she approaches it. Okay, now let me just ask you - I'm gonna digress for two seconds here. I met this girl Amy here, she's like floating around here and everything. Now, she just got divorced, right? All right, but the REAL ending of the movie is when they fight the MIGs at the end, all right? Because he has passed over into the gay way. They are this gay fighting fucking force, all right? And they're beating the Russians, the gays are beating the Russians. And it's over, and they fucking land, and Iceman's been trying to get Maverick the entire time, and finally, he's got him, all right? And what is the last fucking line that they have together? They're all hugging and kissing and happy with each other, and Ice comes up to Maverick, and he says, "Man, you can ride my tail, anytime!" And what does Maverick say? "You can ride mine!" Swordfight! Swordfight! Fuckin' A, man!
- Quentin Tarantino -
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Re: Great Monologues
Sun, October 2, 2005 - 10:22 AMAl Pacino as Arthur Kirkland
...And Justice for All
The one thing that bothered me, the one thing that stayed in my mind and I couldn't get rid of it, that haunted me, was why. Why would she lie? What was her motive for lying? If my client is innocent, she's lying, why? Was it blackmail? No. Was it jealousy? No. Yesterday I found out why. She doesn't have a motive, you know why? Because she's not lying... And ladies and gentlemen of the jury, the prosecution is not going to get that man today, no, because I'm gonna get him! my client, the Honorable Henry T. Fleming, should go right to fucking jail!
That man is guilty! that man, there, that man is a slime! he is a *slime*! If he's supposed to go free, then something really wrong is goin' on here!
Judge Rayford: Mr. Kirkland you are out of order!
You're out of order! You're out of order! The whole trial is out of order! They're out of order! That man, that sick, crazy, depraved man, raped and beat that woman there, and he'd like to do it again! It's just a show! It's a show! It's "Let's Make A Deal"! "Let's Make A Deal"! Hey Frank, you wanna "Make A Deal"? I got an insane judge who likes to beat the shit out of women! Whaddya wanna gimme Frank, 3 weeks probation?
Frank Bowers: DAMMIT!
You, you sonofabitch, you! You're supposed to STAND for somethin'! You're supposed to protect people! But instead you rape and murder them! [dragged out of court by bailiffs]
You killed McCullough! You killed him! Hold it! Hold it! I just completed my opening statement! -
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Re: Great Monologues
Mon, October 3, 2005 - 12:52 AMChoose life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, Choose washing machines, cars, compact disc players, and electrical tin openers. Choose good health, low cholesterol and dental insurance. Choose fixed- interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisure wear and matching luggage. Choose a three piece suite on hire purchase in a range of fucking fabrics. Choose DIY and wondering who you are on a Sunday morning. Choose sitting on that couch watching mind-numbing sprit- crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pishing you last in a miserable home, nothing more than an embarrassment to the selfish, fucked-up brats you have spawned to replace yourself. Choose your future. Choose life... But why would I want to do a thing like that?
- Trainspotting -
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Re: Great Monologues
Mon, October 3, 2005 - 9:00 AMFrom Other People's Money. Danny DeVito's response to Gregory Peck's impassioned speech.
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Amen, and amen, and amen. You have to forgive me. I'm not familiar with the local custom. Where I come from, you always say "Amen" after you hear a prayer. Because that's what you just heard -- a prayer. Where I come from, that particular prayer is called "The Prayer for the Dead." You just heard The Prayer for the Dead, my fellow stockholders, and you didn't say, "Amen." This company is dead. I didn't kill it. Don't blame me. It was dead when I got here. It's too late for prayers. For even if the prayers were answered, and a miracle occurred, and the yen did this, and the dollar did that, and the infrastructure did the other thing, we would still be dead. You know why? Fiber optics. New technologies. Obsolescence. We're dead alright. We're just not broke. And you know the surest way to go broke? Keep getting an increasing share of a shrinking market. Down the tubes. Slow but sure.
You know, at one time there must've been dozens of companies making buggy whips. And I'll bet the last company around was the one that made the best goddamn buggy whip you ever saw. Now how would you have liked to have been a stockholder in that company? You invested in a business and this business is dead. Let's have the intelligence, let's have the decencyto sign the death certificate, collect the insurance, and invest in something with a future.
"Ah, but we can't," goes the prayer. "We can't because we have responsibility, a responsibility to our employees, to our community. What will happen to them?" I got two words for that: Who cares? Care about them? Why? They didn't care about you. They sucked you dry. You have no responsibility to them. For the last ten years this company bled your money. Did this community ever say, "We know times are tough. We'll lower taxes, reduce water and sewer." Check it out: You're paying twice what you did ten years ago. And our devoted employees, who have taken no increases for the past three years, are still making twice what they made ten years ago; and our stock, one-sixth of what it was ten years ago.
Who cares? I'll tell ya: Me. I'm not your best friend. I'm your only friend. I don't make anything? I'm makin' you money. And lest we forget, that's the only reason any of you became stockholders in the first place. You wanna make money! You don't care if they manufacture wire and cable, fried chicken, or grow tangerines! You wanna make money. I'm the only friend you've got. I'm makin' you money. Take the money. Invest it somewhere else. Maybe, maybe you'll get lucky and it'll be used productively. And if it is, you'll create new jobs and provide a service for the economy and, God forbid, even make a few bucks for yourselves. And if anybody asks, tell 'em ya gave at the plant. And by the way, it pleases me that I am called "Larry the Liquidator." You know why, fellow stockholders? Because at my funeral, you'll leave with a smile on your face and a few bucks in your pocket. Now that's a funeral worth having!
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